Who is Alessandro?
Alessandro is an Italian entrepreneur who has been living in Dubai since 2012. Over the past 11 years he has built a successful career in the Dubai Market and built a following of investors from all over around the world.
He is specialized in speculative Financial Transactions that use real estate as a mean to maximized ROE in the shortest period of time possible.
Early Life
In 2008 he joined a study exchange program with “Intercultura” and studied a year in Florianopolis, Brazil. In 2012 he graduated in Management Engineering in Milan, Italy and won a scholarship at the University of North Carolina at Greensboro in the USA. In 2010 he visited a friend in Dubai, who had recently moved there, and fell in love with Dubai, the city of the future…
Alessandro
Knowledge is the key for real estate investing, Momentum is knowledge
Publication
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Ready to start your search for the perfect words? Here are 33 instances where you can opt for descriptive language
Barrio
Despite choosing to work with one of the most referenced objects in art history, Paula adds a new lens to photographing flowers.
Ettore
The second best thing about Bao (after its buns) is its humorous and eclectic visual identity, the vision of its creative polymath founders Shing, Erchen and Wai Ting.
Selvsikker
The painter’s generic, unblemished figures are a direct reference to all that we’ve experienced over the last year.
Swimming Girls
The creation of two Central Saint Martins grads, the publication is designed to be an antidote to the fast-paced nature of the fashion industry.
Corazonada
Built from a combination of branding studios in Mexico, Monumento was formed to begin a “process and design philosophy that [it] actually believed in”.
Tropical Garden
Commissioning over 50 artists to design their own toilet paper holders, a new show dissects the politics of the bathroom.
Get into contact with me
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About Me
With a background in both graphic design and art, Dana Robinson’s practice sits at a fascinating intersection. She understands the power of combining imagery and text and the cultural and social connotations that come along with doing so, but she also embodies a freedom of expression often lacking in graphic design, meaning Dana’s portfolio errs towards abstraction and conceptual investigations.
It means Dana’s practice today is multifaceted, something which allows her to pull from a history of signals, references and symbols to “draw out emotions and memories we may have forgotten we had.” This often sees her working with found imagery from Ebony Magazine that “highlight[s] the idea of upward mobility and a growing Black middle class.”
